7 Years Ago Today

This is the beautiful Scots Pine I used to visit regularly when out walking my dogs.

Scots pine is an evergreen conifer native to northern Europe. Mature trees grow to 35m and can live for up to 700 years. The bark is a scaly orange-brown, which develops plates and fissures with age. Twigs are green-brown and hairless.

There’s not much folklore associated with the Scots pine, although there is some history of spiritual significance which can be traced back to Celtic times. It is thought that in England, Scots pines were planted around farmsteads as windbreaks, and clusters of pines growing along old droveways helped travellers find out where they were going in inclement weather.

In 2014, the Scots pine was voted the national tree of Scotland.

Scots pine timber is one of the strongest softwoods available and is widely used in the construction industry and in joinery. It is used in the manufacture of telegraph poles, pit props, gate posts and fencing. The tree can also be tapped for resin to make turpentine. Other uses include rope made from the inner bark, tar from the roots and a dye from the cones. Dry cones can be used as kindling for fires.

Scots pine is susceptible to red band needle blight, root and butt rot, needle cast disease and pine stem rust, which leads to cankers and distorted branches. The pine tree lappet moth can cause serious defoliation of Scots pine and may threaten pine forests in Scotland.

Britain’s Lost Trees

Glimpse at true scale of Britain’s lost trees: Study of 1850 and 2021 maps from small plots in Essex and Suffolk reveals more than 600,000 ash, oak and elms have been lost to modern farming.

* Volunteers for the Woodland Trust studied Ordnance Survey maps from 1850s against recent aerial images
* They found only 51 per cent of 1.2 million trees mapped in Eastern Claylands of Essex and Suffolk survived
* Trees outside woodland (TOWs) inspired artist John Constable, who painted sprawling landscapes of area.

A remarkable study of maps from Essex and Suffolk plotted more than 170 years ago has revealed how 600,000 British ash, oak and elm trees have vanished since the onset of modern farming.
Volunteers enlisted by the Woodland Trust studied the mid-19th century Ordnance Survey maps and digitised the locations of more than 100,000 trees standing outside of woodland in the Eastern Claylands.

These were then compared to recent aerial images from the 5,000 sq km landscape, with researchers finding only 51 per cent of the 1.2 million trees mapped in small groups or alone on fields and boundaries had survived to the present day.

Around 84 per cent of scattered field trees had been felled or died, and more than half of oak, elm and ash trees standing on boundaries had vanished since the 19th century.

Researchers noted that the disappearance of more than half of these trees suggests this trend ‘is likely replicated in other UK landscapes, particularly those with similar histories of agricultural intensification.’

The State of the UK’s Woods and Trees report added: ‘The loss of these historic trees is concerning as they represent the loss of the particularly valuable veteran trees that they would have become had they survived.

‘The high loss of boundary trees, and particularly scattered trees, which were rare even in 1850, highlights the risk faced by these types of TOWs [trees outside woodland] and the specific habitats and benefits which they provide relative to those present in small groups.’

The report said: ‘TOWs act as refugia for wildlife within otherwise hostile landscapes. They enhance biodiversity by providing resources including shelter, sites suitable for feeding and breeding and equitable microclimates.

‘Perhaps most importantly, TOWs contribute to landscape connectivity by facilitating the dispersal of organisms between otherwise isolated woodland patches.


‘This has numerous ecological benefits, including countering genetic problems associated with small populations, allowing the colonisation of patches where species are absent, and facilitating the spread of species in response to climate change.’

The conservation charity added that an increase in the size of farm machinery and the amalgamation of small fields and farms have contributed to the clearing of many trees and hedgerows in England.

Other causes given for the decline in tree populations were historic and emerging diseases, such as the fungal disease ash dieback, modern hedge management practices and ‘high browsing pressure’ from deer.

The Woodland Trust concluded that greater levels of protection were needed for boundary trees, such as lines of trees and hedgerows, alongside individual, scattered trees which inspired paintings by British landscape artist John Constable.

It said: ‘This can be achieved by grant support for their retention and good management. These trees can be perceived as challenging to owners and managers who currently bear the cost of their maintenance and may require greater advice and assistance.’

The Eastern Claylands of Essex and Suffolk is a largely agricultural region, known to be the inspiration for many of John Constable’s famed landscape paintings of the mid-19th century.

The self-taught artist, born in East Bergholt, Suffolk, is best known for sprawling paintings of his home county which proudly captured ancient hedgerows, small clusters of trees, woodland and stunning river valleys.

Eastern Claylands has one of the highest concentrations of medieval woodland pasture and parkland in England despite the fall in tree concentration, the Woodland Trust said, with a third of its 36,000 hectares formed of semi-natural ancient woodland or plantations on historic woodland sites.

However, the report found that the number of ancient woods under threat from development in England has recently risen to 1,225. At least 981 woodlands have been ‘permanently lost or damaged’ since 2000.

Reference- https://www.dailymail.co.uk/news/article-9469577/Study-1850-maps-reveals-600-00-trees-Englands-fields-lost-modern-farming.html

Words Fail Me

When Mozart was 8 this tree was over 40.
When first Steam Engine was patented this tree was 50.
When the Wright Brothers flew the first motorized plane this tree was 180.
Now at aged 300 it was felled for a service road for HS2
Words fail me.

~ David Attenborough.

Happy Easter Blessings

Radagast by artist A. Gokhan Gultekin, Istanbul, Turkey

“I was born in 1985. I am a Turkish Language & Literature Teacher and also an illustrator. I worked as an illustrator for T-shirt companies, several fine publishers and comic magazines.

Most of my works I get inspired of; mythologies, native cultures, folk tales, horror & fantasy literature. Also improve myself in character design and background (mostly ornamental and structural) design. My favorite illustrators are; Charles Vess, Brian Froud, Ivan Bilibin& Alphonse Mucha”.

I can find no further resources online since 2018 for this talented artist.